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Posts Tagged ‘narrative knowledge’

Knowledge, process, people, and enterprise-architecture

August 15th, 2011 3 comments

Reading KCore‘s excellent blog-post ‘High quality, High Impact KM: Start with the right questions‘, this early section of the article caught my eye:

I’ve set out my stall when it comes to KM and by now it should be pretty clear that I believe that successful KM outputs are reliant on people.  I also strongly believe that the key to KM needs to consider the following in its operational activities:

The needs of the individual, framed by the strategic and operational drivers of the organisation and enabled by the processes that bind the two together.

Accepting people as the locus of our KM activities leads to their development.

The context is knowledge-management, in this case. But it could just as easily be said about enterprise-architecture, or process-management, or service-management, or just about anything else.

It’s all about people: about their needs in a business context, about how they relate to the business and its context, and how the work itself links everything together.

It’s all about people: sure, there’s also some IT in there, but I strongly believe that that IT should only rarely be our first focus, and should never be our sole focus.

It’s all about people: which is why we need frameworks and methods and toolsets and the rest that help us frame that focus around people – rather than simply ignore people, or exclude them entirely from the assessment, as happens all too often at present.

It’s all about people: it’s through people that knowledge, process, architecture, service and everything else within the enterprise all intersect.

Whatever it is, it’s all about people.

Kinda helpful to remind ourselves of that point sometimes…? :-)

Guess I could do with some help here…

August 10th, 2011 26 comments

In case you hadn’t noticed, I’ve been kinda pouring out the posts on enterprise-architecture and the like, over the past few weeks or so… (A few people have complained about the overload, and probably with good reason, too! :-( :-) Oh well. My apologies, anyway.)

What’s happening for me is that it seems all of the work I’ve done on enterprise-architecture theory and practice over the past several years is suddenly coalescing into something big. It feels like I have a handle, or hook, or something, onto a radically different approach to how we do architecture-work in an enterprise-context, and in particular how we document that work and use that documentation to drive and support more-viable enterprise change.

The practical problem is that it’s all crashing around in my head, coming at me from all sorts of different metaphorical directions – metamodels, toolsets, methodologies, metaphors, the lot – and I’m having real difficulty getting it all down into a usable form. I tend to work solo most of the time, but in this case, frankly, it’s become way too large to handle all on my own. I can’t hold all of it in my head at once: it’s too big, too complex, needs way too many different skillsets and experiences, some of what I’m trying to do is likely way too complicated at present, and it’s almost certain that some is just plain wrong.

Hence, to quote the famous phrase, “I guess I could do with some help here…”

Please?

To give an idea of the scale of what I’m trying to bring together at present, there are around 300 posts on enterprise-architecture here on this website (excluding the weekly ‘A week in Tweets’ posts), of which perhaps half – maybe more – describe some new idea or concrete item of research on EA and related themes. There are eight finished full-size books on enterprise-architecture so far in the set, and at least another two or three under development at present. There’s another website just on metamodels, and another weblog on ‘big-picture’ business-themes. There are fragments of notes and experiments scattered around on seven different computers here, not to mention ten years’ worth of paper-notebooks and sketch-pads, and discussion-notes and emails from colleagues and conferences and the like over most of that time-period, too. And all of it seems to be coming together all at once. Yikes…

The real focus, as has come up in the most recent posts, seems to be about techniques and toolsets, to take any starting-point – such as a business-model in Business Model Canvas – and expand outward to tackle all of the whole-enterprise issues, including themes such as quality, security, sustainability, continuity and so on. Here are links to some of those posts:

There’s stuff about metamodels to move beyond ‘classic’ IT-centrism:

There’s stuff about Agile in relation to enterprise-architecture – in particular a metaphor of ‘backbone’ that I still haven’t seen discussed elsewhere:

There’s also a real need to address the human side of enterprise-architecture, including architecture-as-story and the almost-unacknowledged issue of narrative-knowledge (as opposed to IT-based information) in enterprise-architecture:

And perhaps the real core of what’s happening for me now, around toolsets to cover that whole scope:

So: that’s the range of topics that I’m struggling with at the moment. Because it’s so huge, different parts of it keep drifting in and out of cognisance at any given time, so it’s difficult to maintain a sense of the whole. And the problem is that it does need to be tackled as a whole if we’re to avoid the same kind of trap that earlier forms of EA fell into, first with IT-centrism and process-centrism, and now all too often with business-centrism. The only thing that will work is to create something – a methodology, a metamodel, and a toolset-ecosystem, all linked together – that will fully support the awareness that in enterprise-architecture, everywhere and nowhere is ‘the centre’, all at the same time.

To be honest, I need help in all aspects of getting this down into usable form. But where I most need help is around the overall toolset(s). I think that the ideas are just about ready now for a proof-of-concept: but I doubt that I still have the technical skill to do much if any of it on my own. (The last significant software project I developed on my own was a wiki-based ‘engine’ that was used for a number of system-prototypes such as the SEMPER diagnostic: but it was back in the days of PHP4,and way too crude for todays’ standards.) To cover the whole toolset-ecosystem we’ll need whatever-it-is to compatible in some way or other with all of this scope:

  • large cross-enterprise repository-based formal EA system (like Troux Metis)
  • team-driven repository-based formal modelling system (like BizzDesign)
  • single-user formal modelling system (like Sparx or ArchiTool)
  • free-form desktop, notebook and/or web-based modelling system (like Visio) but can do round-trip to formal modelling
  • tablet-style with gestural interface (like a cross between Prezi and BMTBox app on iPad)
  • handheld, mostly browsing, but also able to feed back updates/suggestions

and

  • paper-based, whiteboard, driven from book or ebook, etc

So: if you’re interested in ‘pushing the envelope’ for EA, you’re keen to work on some kind of collaborative project, and have some expertise in system-prototyping, user-experience design, workflow, graphics or anything of that kind, please get in touch with me? Because, yeah, I could do with some real help here… :-)

Thanks in advance, anyway.

Enterprise-architecture? – it’s all about story

August 7th, 2011 3 comments

Enterprise-architecture is all about story. The enterprise itself is a story; but the practice of enterprise-architecture is all about stories too. Let me tell you a story…

There once was this half-crazed guy who used to go on about an even crazier idea that there might be a bit more to enterprise-architecture than just, well, IT-boxes and suchlike. That there was a bit more to the story than that.

It starts, like most good stories, a long time ago. Turns out that whilst, yes, like so many other EAs, he’d come up through the usual IT-journey, from years of assembly-language through to database-design through to data-architecture and information and the rest, that wasn’t where he really came from. [I don't think he's the long-lost Prince of Multigravia, though - it's not that kind of story. Sorry.] He’d actually started out in graphic design, getting sidetracked into software and stuff to try to get typesetting-systems to work better. And he hadn’t forgotten the designer’s way of thinking about things (which these days goes by the fancy term of ‘design-thinking’, but it wasn’t called anything much back then). It was always about thinking about the big-picture at the same time as looking at the small-picture, and keeping the tension in balance whilst going in deeper and smaller and smaller and smaller, whilst still keeping the big-picture and the bigger-picture and the really-really-big-picture all in view at the same time. Kinda crazy-making, but that’s designers for you, of course.

And then something happened. [Yep, that's a phrase that comes a lot in stories.] He was working on enterprise-architecture by then, with a bunch of people who really in some cases really did think the the business-world began and ended with IT – that IT really was the centre of everything. He’d spent a fair few months documenting all the tiddy little Access databases and Excel spreadsheets that were being used way outside of their scope in business-critical areas, with no documentation and no backup, with no-one thinking that this might be a real business problem. And one of the areas he was asked to look at was quality-management. Which brought up a really simple yet surprisingly scary question: what is quality, anyway?

Quality is very tricky indeed: not a popular topic with many business-folks. [Boo! Hiss!] So unpopular, in this case, that the quality-manager for the organisation had actually committed suicide. [And no, I'm sorry to say, that's not a made-up story. :-( No magical mentor in this story, unfortunately.] So how are they going to manage quality? We know how to it, they said – we’ll do it all with software! Buy a quality-management package off the shelf from one of the big vendors, so plug it in, roll it out to the whole workforce – there, problem solved! Easy! Sure it’s a fair few million bucks and ongoing but so what, it’s just ‘fit and forget’, isn’t it…?

Um. No. Even our half-crazed not-hero could see that that wouldn’t work. The problem was that lots of people wanted to believe that it would. Lots of serious business people with serious career-ambitions, and with serious access to lots of other people’s money. [Are these the villains of the story? Perhaps - but we'd better not say so in public if we want to keep our jobs...] A tricky enterprise-architecture problem, that one… But with a lot of hunting around, amongst the few mostly hidden backroom-boys still holding out the flag for the not-quite-lost quality cause, we found an in-house team who’d developed a quality-system that really did work. All done on little pieces of paper. No IT at all.

Sure, they were moving some parts onto software, but it was a ‘knowledge-management’ system for which we already had a site-wide licence, and which almost no-one else seemed to be using anyway: straight away a serious saving of several million dollars. But the main point was that it worked. And it was all about stories. Making sense, through stories.

Getting people to work together, to get the work together and make it work better.

Finding the best way to do the work, in whatever combination of people, machines and IT would be the best fit to that particular context.

Exploring, enquiring, endless seeking, ceaselessly improving. A commitment to quality; an enterprise in itself.

All through stories.

Which is itself a story.

So where are those stories in our usual narratives about enterprise-architecture? Uh… nowhere to be seen? Oops…

Perhaps this usual story of enterprise-architecture needs a different ending…?

Let’s step back a moment.

A few posts back, I wrote about a really great quote I’d found on two different views of architecture. One view said that it was all about structure; the other, all about narrative. But it we look at most of the EA tools that we have, and EA methods that we have, they’re all about structure. They’re very good on structure – no doubt about that. But unfortunately, they’re not good on narrative. There are a few notable exceptions (such as Nigel Green’s majestic VPEC-T), but for the others…? – well, we’d have to say that most are worse than useless on narrative… not so much ‘no-story’ as a negation of story itself.

Oh.

Which is a much more serious problem than it looks, because most EA work is actually about stories. Stories upon stories: lots of them.

Think about it. Every strategy tells a story. Every merger or demerger or restructure or re-this-that-and-the-other is a story. On the smaller scale, a business-scenario is a story. A use-case is a story. From as-is to to-be is a story. A typical application-consolidation effort is a story too, about how to clean up the tangle of this-doesn’t-go-with-that, and change it to a story of and-they-all-lived-happily-ever-after (until the next consolidation, anyway :-) ). It’s all stories.

Every requirement is a story. The work of an Agile team is all about co-creating a shared story. Getting people to work together is a story in itself, and one that in itself is so often made up of people sharing their different perspectives on what should end up as a shared story – perhaps across the whole enterprise.

And enterprise-architecture, in this sense, is all about supporting those stories. Every model tells a story, a record of decisions, options, choices. We can use each model to elicit further stories: people disagree with the choice, perhaps give us their story of why the choice needs to change; perhaps they agree, and the story helps to reaffirm and reinforce that choice, that story.

Yet at the moment, none of that’s in the models. Or, for that matter, the methods. We’re somehow supposed to know it’s all about story – but somehow pretend it’s all about the IT instead. Odd…

And when we stop to think about, EAs don’t actually do much other than tell stories, or get others to tell stories. We don’t do much development-work, perhaps not any: that’s the solution-architects’ job, and they’ll often get annoyed if we tread too much on their turf, their story. We don’t have much authority – especially beyond the borders of our own organisation. In most cases all we can do is influence, cajole, guide. And the way we do that is by creating a story.

It’s all about stories.

And that’s actually why I rant and rage so much about IT-centrism, and about the inadequacies of existing toolsets and the like: it’s not that it’s somehow ‘wrong’ or whatever, it’s because it stifles the story. Some of the toolsets are so constrained and so clunky that it’s like being a captive in kindergarten again, where the only permissible poems must be modelled on ‘Mary Had A Little Lamb’. The obsessive IT-centrism in so much architecture is like the self-centred bar-room bore, who insists that they have to be the hero of everyone’s else story. (The business-centrism of so many business-architecture tools is no better, by the way.) And a half-assed, half-complete story is no story at all. No fun for anyone else, anyway.

As enterprise-architects, we need to engage people in change, in a vision of something that works better than they have at present. And that’s why we need toolsets and methods that can cover the whole scope, the whole story of the enterprise, and support us in our storytelling of that story – because we need them to engage themselves in that broader story.

Enterprise-architecture: it’s all about stories. So it might help to remember that from time to time – by telling a story or two, perhaps? :-)

[Post-script: if you're interested in story, you might like this Summary of story-structure models [PDF]. Among other things, it shows why so many Hollywood movies – from Avatar to Wall-E, to give just two relatively recent examples – have the hero apparently die and then recover, just before the end… :-) ]

Two points of view on (enterprise) architecture

July 28th, 2011 7 comments

Was showing a colleague one of my favourite small books yesterday: Matthew Frederick’s 101 Things I Learned In Architecture School. Briefly flicking through the two-page spreads, one caught my eye. Seems so apposite to enterprise-architecture and the like that it’s worth reproducing here in its entirety:

Two points of view on architecture

ARCHITECTURE IS AN EXERCISE IN TRUTH. A proper building is responsible to universal knowledge and is wholly honest in the expression of its functions and materials.

ARCHITECTURE IS AN EXERCISE IN NARRATIVE. Architecture is a vehicle for the telling of stories, a canvas for relaying societal myths, a stage for the theater of everyday life.

‘Classic’ enterprise-architectures would lean toward the former point of view, I suppose. It’s certainly true that structure and function are key areas of focus, and the best do indeed express a real honesty and ‘responsibility to universal knowledge’.

Me, I’ll admit I lean more towards the latter point of view: my work does include exploration of structure – and a lot of it – but my real focus is on the enterprise as co-created story. That’s one of the reasons why I find the existing EA toolsets so frustrating: what I want is something that can capture the stories as well as the structure, and link them all together to extend and enhance the overall enterprise story.

It’s really important to keep these two points of view in balance in our architecture practice. And many other points of view too, of course. :-)

No particular point being made here: just thought it was well worth sharing, is all.

Comments, anyone?

Interview on enterprise-architecture at AE-Rio 2011

May 18th, 2011 1 comment

I must admit I’m pleased with this brief interview, filmed by the AV crew at AE Rio 2011 (many thanks, guys!). It covers a lot of ground in barely four minutes: the importance of stories and culture in enterprise-architecture, key differences in the Latin America market compared to elsewhere, and much else besides.

(There’s supposed to be a YouTube embed above this line: if it doesn’t display, try the direct YouTube link instead.)

I’d actually forgotten I’d done the interview, and failed to notice when it was put up on AERio’s YouTube account – hence many thanks to Kevin Smith, Alberto Manuel, Pat Ferdinandi and Isabela Abreu, among others, who spotted it and were kind enough to remind me from various different directions! :-)

Hope it’s useful, anyway, and perhaps let me know what other enterprise-architecture topics  you’d like me to cover on YouTube videos?

‘Ba’, Cynefin, place and architecture

April 25th, 2011 1 comment

Just been reading (via Tweet by Bill Ives) a post by Anne Marie McEwan on ‘Loosening the Taylorist Stranglehold on the Workplace‘. Within a much larger context in a very good article, this one brief section caught my attention:

The Japanese concept of ‘ba’ came up in one of the face-to-face conversations. … Nonaka et al say that ‘ba’ roughly means place”. It is a here-and-now coming together of physical, virtual and mental spaces, which together constitute a shared “context in motion” for tacit knowledge to become explicit.

In other words, a concept of place associated with ‘ways of knowing’.

I then remembered that although Snowden’s concept of Cynefin is, in current practice, primarily viewed as “a model used to describe problems, situations and systems”, the term likewise literally translates as ‘place‘ – and that, like Nonaka’s ba, that concept also arose out of work on utilising and sharing tacit knowledge.

One problem with both of those translations is that they’re very ‘thin’: the rather bald English word ‘place’ does not really convey the richness or layered nuance of either of the original terms. (Snowden himself has made this point several times, and I strongly agree with him in this.) To gain some sense of the deeper complexity and meaning there, one of my favourite resources is the work of the small English charity Common Ground, and in particular their Rules for Local Distinctiveness, such as:

– Let the CHARACTER of the people and place express itself. Kill corporate identity before it kills our high streets. Give local shops precedence.
– Defend DETAIL. Respond to the local and the vernacular. No new building or development need be bland, boring or brash.
– Local DIALECT should be spoken, heard and seen.

The other thread that comes up here is the notion of buildings and other places as anchors for both explicit and tacit knowledge – physical structures interweaving with conceptual structures, as described by Frances Yates in her classic The Art of Memory, and typified by the post-Renaissance ‘memory theatres’ of Guilio Camillo and his contemporaries. This in turn links back to a much older concept of ‘the art of memory‘, “a loosely associated group of mnemonic principles and techniques used to organize memory impressions, improve recall, and assist in the combination and ‘invention’ of ideas” – a concept that can probably be found in some form or other in just about every culture.

Hence, to architecture, and to enterprise-architecture. If these represent the humanness of our interactions with physical, conceptual or relational space, what does that say about our present buildings and information-systems – almost all of which seem to conform to that description of “boring, bland or brash”?

Seems to me that there’s a lot that we might need to rediscover in our architectures, about the relationships between ‘place’ and collective knowing, collective remembering…?

Out on the fringes of enterprise-architectures and the like, we’re seeing some of this starting happen more now in the social-media and ‘social-business’ contexts, with much more emphasis on serendipity, tagging, cross-linking and cross-collaboration. As Dr McEwan indicates in her article, there’s more awareness of the human implications of the ‘Taylorist stranglehold’, its failures in the fundamentally-flawed concepts behind so much ‘business-process re-engineering’ and the like, and what we can learn as we rethink the entire idea of ‘the workplace’. And we’re seeing it, too, in the upsurge of interest in ideas and methods such as design-thinking and human-oriented systems-thinking, in holism, in panarchitecture and the like.

But perhaps one more useful place to start would be with concepts such as bacynefin and ‘local distinctiveness’, to re-remember what ‘place’ actually means in our working lives – and how we use the richness of place to anchor our shared memory.

Yet how do we do this in practice? How can we reclaim and rebuild ‘the art of memory’ into our places and workspaces, our information-systems and our collaborative relationships? Comments/suggestions, anyone?

Enterprise architecture as language

April 19th, 2011 7 comments

Each enterprise has its own distinct language. More to the point, the enterprise-architecture is a language.

I probably need to take a step or two back at this point…

For quite some while I’ve been using the metaphor of ‘hologram’ to describe how we collect and store and describe information about the enterprise. Once we’ve done the essential foundation-work that describes the fundamental frame of the hologram, every item of work that we do will add to the detail. And since everything is connected to everything else, this means that any piece of work – always done to tackle a specific business-problem – will also add a little more detail that could well connect with everywhere.

This contrasts with the more photograph-like Zachman school, where we’re supposed to document everything ‘in excruciating detail’ before we can usefully do anything. The problem with the ‘photograph’ approach is that it’s not only insanely expensive – in every sense – but it’s often out of date barely before we’ve even started.

So while struggling to get by in Brazil with my still very-limited Portuguese, it struck me that the way we’re likely to learn a language is also much like a hologram.

Most people won’t try to learn a language ‘photograph-style’, learning every scrap of grammar and the entire dictionary before we start. That’ll take far more time than we’re likely to have to spare, and if nothing else, we probably won’t get much of a clue of pronunciation or real-world usage – which in many languages is very different from the ‘by the book’ official version.

We also probably won’t do very well if we try to go only via the phrase-book route. That tends to provide tiny fragments that should be technically correct, but there’s nothing to link them together – a bit like cutting up a photograph, in fact.

Instead, our best option is to pick up the core basics of the grammar and flow, and then do a version of the phrase-book approach that does link each of those items into that core framework. We tackle a key ‘business-problem’ – how to buy a ticket, how to order a coffee, what to do in the airport, how to greet a colleague. In the process we learn essential vocabulary, the ‘things’ of the language: please, thank-you, excuse me, sorry, and various key ‘gotchas’ – such as the Portuguese word puxe, pronounced ‘push’, which means ‘pull’…

Each new item links quietly to everything else, each tiny fragment building up more detail that helps to make sense elsewhere in the language. Sometimes we’ll do a specific ‘project’ to cover an entire area – working our way through past and future tenses, perhaps, or key irregular verbs. Yet slowly, slowly, the bare skeleton of the language fills itself out, until quite suddenly we realise that we recognise much or even most of what’s going on around us.

So too the enterprise-architecture. If we go the classic Zachman-style route, we’ll spend so much time trying to define everything that we’re unlikely ever to get properly started. If we go the classic IT-centric route, we tackle small fragments – mostly IT, of course – that have no effective connection with anything else, and eventually descends to an unused piece of shelfware, like a forgotten phrase-book from a long-past foreign holiday. But if we start with the core skeleton of the ‘hologram’ – particularly the vision and values, the entities that define the enterprise – we have enough framework that any work on any subsequent ‘business-question’ helps to build more detail of the whole.

The past is a foreign country: they do things differently there. Yet the same is true of each enterprise: each is its own country, with its own structures, its own quirks, its own idioms and inflections. I’ve suggested before that the enterprise is a story; it seems it’s its own language too.

A possibly-useful metaphor to ponder, perhaps?

Cynefin as place: a respectful enquiry

February 5th, 2011 3 comments

[A slightly risky post, this, given the unfortunate history between myself and Dave Snowden: but I want to emphasise that it is in good faith, as a genuine enquiry that I believe would be of real value to those of working in enterprise-architectures and to the broader Cynefin community.]

I’ve been delighted to see a useful and clarifying discussion between Dave Snowden and Cynthia Kurtz on the origins of the well-known Cynefin framework. It’s been important to me because in my work I use some parts of that framework, and not others: the question of origin and authorship of the various parts of the Cynefin milieu (so to speak) has, until now, been decidedly blurred, and it’s been very difficult to know who to acknowledge without insulting one party or another. There does seem to be a lot more clarity now, which helps a lot.

Most people know Cynefin only from the simple visual frame and its four main ‘repeatability categories’: Simple [Known], Complicated [Knowable], Complex and Chaotic. Yet, as Dave has explained on various occasions, the term cynefin is actually a Welsh word, rather inadequately translated into English as ‘place’ (much like how another key Welsh word, hiraedd, is thinly translated as ‘homesickness’, when it’s more like ‘homesickness to the tenth degree’ for a ‘home’ that may exist only in the heart and soul…). And during that discussion on Cynthia Kurtz’s blog, Dave Snowden cited an early paper on his ideas:

Snowden, D. (2000) “Cynefin, A Sense of Time and Place: an Ecological Approach to Sense Making and Learning in Formal and Informal Communities” conference proceedings of KMAC at the University of Aston, July 2000)

I’ll admit straight off that I haven’t seen that paper: but it seems it might be an important one to refer to, because of that explicit inclusion of place. What’s frustrating, though, is that it seems to be both the first and last point at which ‘time and place’ are explicitly linked to the (later) ‘Cynefin’ approach to sensemaking (the categories, the dynamics and so on, and, later, the Cognitive Edge ‘Sensemaker’ software). And I’d love to see more.

To me ‘time and place’ is a very important theme in sensemaking, because the relationship between people and place is extremely complex: there’s an interaction between people and place, and in some ways it seems that the place itself has choices too. We see this interaction described explicitly in the Australian-aboriginal concept of the Dreaming, or (as Cynthia Kurtz describes) in the native-American notion of the Medicine Wheel (though in both cases it’s almost more an experience than a mere concept). It would seem to be in other cultures too, if perhaps less explicitly: for example, as Dave indicates, and as can be seen in other references to the Welsh cynefin, much the same would seem to apply in Welsh culture. And the same would seem to be true of people’s relationship to time – or times, rather – at any given place.

There are a fair few groups working in this space: for example, the English charity Common Ground, whose work on ‘local distinctiveness‘ I would very strongly recommend, along with their projects on parish maps and the book From place to PLACE, and the essay “Losing your place“. (Enterprise-architects especially should be able to see the direct application of those to the enterprise context, with the enterprise as metaphoric ‘place’ that people inhabit.)

And there are also a handful of more academic-oriented disciplines, such as psychogeography (popularised by the London writer will self, but with its origins more in 1950s France), and archaeography or ‘deep mapping‘, a kind of bridge between archaeology, art and culture. I’ve been involved in some aspects of those fields myself over the years, with my 1978 book Needles of Stone (updated 2008 edition here), and more recently in collaboration with archaeographer Liz Poraj-Wilczynska, developing formal disciplines to bridge the objective and subjective aspects of academic-archaeology (as in our joint paper in the archaeology journal Time&Mind). To some people the content and context of these various fields may be a bit too weird in places – even in the peer-reviewed ones such as Time&Mind – yet to me they all have real and practical applications in the complex processes of sensemaking for something as large as an entire enterprise.

The point here is that I do believe that the ‘place and time’ aspects of the original Cynefin would be highly relevant now in enterprise-architectures and the like, especially if brought up to date with the other deep work that’s been done on Cynefin over the past decade. The catch, of course, is that I’m definitely not the right person to talk about it: the only right person to present that, of course, would be Dave Snowden. And again, this weblog isn’t the right place: if anything new is to be written on this, it should be in Dave’s Cognitive Edge blog, perhaps, or some other academic paper.

Anyway, that’s the request: for an update on how ‘time and place’ fit into Cynefin sensemaking, and into the overall themes of organisational complexity and the like. Given the other crosslinks I’ve summarised above, I do believe it would be useful now.

Beyond making that request, it’s none of my business, so I’ll stop now. But if Dave or someone else does write on this, perhaps let me know? Many thanks.

Modelling people in enterprise-architecture

January 31st, 2011 4 comments

As mentioned in the previous post, one of the key characteristics of ‘crossing the chasm’ to a viable whole-of-enterprise architecture is the explicit inclusion of people. In short, we need to be able to model and map where people fit in relation to the architecture.

But there’s a catch. A big catch. People should not be ‘designed in’ to the architecture.

We can see this well in building-architecture: there, the only case where people have been literally part of the architecture is that of the anchorite in the mediaeval church. An anchorite would choose to be permanently walled into a cell that was part of the fabric of the building, to act as a spiritual anchor for the people’s faith. Somehow I don’t think we’ll be likely to find many people willing to do the same for today’s for-profit enterprises… :-)

Yet in most building-architecture, evidently, people are everywhere. Other than in certain special-cases – the equivalent of an IT-specific ‘enterprise’-architecture, perhaps – the building and its purpose and design will centre around people, about what people do, why they do it, what the building represents to people, and so on. And the equivalent of that ‘people-centrism’ is what we need in a viable enterprise-architecture.

But if we can’t design people into the architecture itself, how do we map people within the architecture? I would suggest four key themes:

  • vision and values
  • relational-assets
  • roles and responsibilities
  • capabilities and competencies

Let’s look at each of these in some detail.

Read more…

The toolset-ecosystem

January 26th, 2011 9 comments

This one extends the models-for-enterprise-architecture theme from the previous post. Although for me this theme goes back a long way, the start-point here was a Tweet from Dutch EA consultant Martin van den Berg (@bergmart) that triggered off a veritable flurry of replies:

  • bergmart: I’m more and more convinced that it should be forbidden to show ArchiMate diagrams to business management #entarch #bizarch
  • EAatWork: @bergmart why should it be forbidden to show archimate diagrams to business management?
  • blomr: @bergmart @eaatwork Depends on level/type of business management + depends on complexity of the diagram(amount of (different) objects&rel’s)
  • ArchiTool: @bergmart I’m intrigued to know why. Are they infrastructure models?
  • bergmart: @ArchiTool I’m not talking about infrastructure models but business / information models
  • ArchiTool: @bergmart @EAatWork Then maybe break them down into smaller focussed viewpoints?
  • bergmart: I think we need to find other ways. Business Model Canvas is a much friendlier way or use the operating model stuff of Ross
  • ArchiTool: @bergmart Right. Higher levels. And ArchiMate could be used in addition for more detail if needed? // Hmm….Business Model Canvas in Archi? Development of the Sketch View? #archimate #bmc
  • bergmart: @ArchiTool Yes, in the architecture & engineering communities
  • ArchiTool: @tetradian Synchronicity is nudging me toward possible Bus Model Canvas & Ent Canvas implementation in Archi. Reading up on it now…
  • tetradian: @ArchiTool aiming to have 2 new posts for you soon: models as anchors for discussion/decision-records; roles of tools in toolset-spectrum
  • tetradian: @bergmart ‘don’t show Archimate diags to biz mgmt’ – in my experience showing them BPMN diagrams is an even worse idea… :-(
  • bergmart: @tetradian Can imagine!
  • EAatWork: @bergmart too complex from a modelling language point of view (archimate) or too complex because the diagrams are too complex?
  • bergmart: @EAatWork Both
  • EAatWork: @bergmart  I think that the concepts are ok but the  different relation types are causing the confusion (look all similar) for bizz mgmt
  • tetradian: @bergmart @EAatWork with BPMN diags, prob was need to translate from abstract to concrete – so overlay Archimate rigour w visual images?
  • ArchiTool: @bergmart But with Business Model Canvas approach maybe managers are concerned with $$$$$$ rather than architecture and internal workings?
  • ceri: @tetradian @bergmart To quote @wilm on Tuesday “never ever show the entire model to ANYONE, only the view that is relevant to them” #jiscfsd
  • bergmart: @EAatWork Yes, the arrows are the main problem. The concepts are ok.
  • bergmart: @ArchiTool Nice  with Business Model Canvas is the combination of $$$$ with coherency.

As mentioned in that back-and-forth above, I’ve had painful first-hand experience of what happens when we show ‘formal’-type EA diagrams to executives, as described in this quoted from my book Real Enterprise-Architecture:

In our first attempt to show the true value of [a proposed] logistics early-warning system, we made the mistake of showing the process-flows [to the executive] in the form of a Business Process Modelling Notation diagram. BPMN is great for the formal modelling rigour needed by software engineers, but not for a board-level presentation: the blank stares and silence from round the table sent us away in shame.

For the next meeting, we redrew the diagram, with the exact same process-flows, but replacing the bland BPMN boxes with clip-art pictures of trucks, conveyor-belts, fork-lifts, sorting-machines, delivery staff. This time it clearly made sense: we gained our go-ahead.

These senior people weren’t ‘stupid’: when we explained it in their own terms, they understood straight away what we were aiming to do. The problem before was that they didn’t have time to learn an abstract language and translate it back into their concrete world. As architects, we did need that level of abstraction: but it was also our responsibility to each audience to do the translation from the abstract into the everyday.

This is going to be a long one… sorry…

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